In Brief:
A
woman, who engages in the work of a butcher, traditionally seen as a masculine
activity, makes for an intriguing central character in this poem. The man who
watches her seems fascinated with the knife on her belt and the ‘dark shining
drops’ of blood, which drip onto the ground from it.
One
day he follows her and gets to see her in a different setting, the domestic
sphere at home. He sees the spotless
stairs ‘brushed and clean’ and her shoes placed neatly on the bottom step. Then
he notices the marks her bare feet have made on the stairs as they ascended:
‘the red crescent/ Her bare heels left, fading to faintest at the top.’
For
the reader the story ends here and we are left wondering as to what happened
next if anything. It seems to be deliberately ambiguous.
Imagery:
The poem almost entirely
consists of word pictures creating a cinematic effect. The reader follows the
action of the girl on her walk being watched and is left to think about these
ambiguous images afterwards.
The poet uses contrasting colour to powerful effect with the image of dark red blood beside
the pristine white of the butcher’s trousers:
When he saw her passing by in her white trousers
Dangling a knife on a ring at her belt,
He stared at the dark shining drops on the paving-stones.
He stared at the dark shining drops on the paving-stones.
No comments:
Post a Comment