In brief:
Death and Engines focuses on the
inevitability of death in all our lives. Each of us will encounter a moment
when we are ‘Cornered’ by death and will have no way to escape. Some might survive encounters with death and
feel ‘relief’ but they cannot escape it forever. A time will come when it will be ‘too late to
stop’.
The poem opens with the image of a crashed plane in the snow
visible from the plane she is on as it approaches Paris airport in winter. She
compares the ‘Tubular’ fuselage to ‘an empty tunnel’. The remains of the plane
are ‘burnt out’ and black against the contrasting whiteness of the snow.
In the second verse the poet is aboard
the return flight home facing the ‘snow-white runways in the dark’. The poet
associates the plane’s metal wings with the coldness of death that will
eventually seep into us: ‘The cold of the metal wings is contagious’. When we
are ‘cornered’ by death we will need a miracle to survive: ‘Soon you will need
wings of your own’.
She describes death as the moment where our lives and time finally
intersect: ‘Time and life like a knife and fork/Cross.’ She uses the image from palm-reading of the
‘breaking’ of the lifeline hinting at a fatalistic view of life - that we all have an evitable destiny.
She concludes stanza 3 with an image reminiscent
of the immensely tragic events of 9/11: ‘the curve of an aeroplane’s track/
Meets the straight skyline.’
The attacks on the Twin Towers in New
York have left a huge psychological imprint on the generation of people who
witnessed it either first hand or on television. We all wonder what the people
on those planes went through before their tragic deaths. What is it like to
know you are going to die but can do nothing to save yourself?
Sometimes death is cheated. People
survive horrific accidents and live to tell their tale: “The images of
relief:/ Hospital pyjamas, screens round a bed/ A man with a bloody face/
Sitting up in bed, conversing cheerfully/ Through cut lips”.
Eventually we will all have to face it however: “You will find yourself alone
/ Accelerating down a blind
/ Alley, too
late to stop.”
Final
Stanza
We won’t feel any pain once we are gone but
out families will remember us and grieve for us: “You will be scattered like
wreckage;/ The pieces, every one a different shape
/Will painfully lodge in
the hearts
/Of all who love you.”
The poem associates death with modern
transport: ‘Engines’ especially airplanes. These powerful machines that can fly
above the earth and travel at huge speeds also expose our mortality and
powerlessness in the face of death.
The images of planes crashing into buildings
and a car accelerating down a blind/ Alley’ play upon our fears being in a
machine spiraling out of control and not being able to do anything to save
ourselves.
Language:
Assonance (repeated vowel sounds) features
strongly in this poem in the second and third verses creating a sombre effect:
‘The snow-white runways in the dark/ No sound came over/ The loudspeakers, except the sighs/ Of the lonely pilot.’
‘Time and life like a knife’.
‘The snow-white runways in the dark/ No sound came over/ The loudspeakers, except the sighs/ Of the lonely pilot.’
‘Time and life like a knife’.
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